Virgo is the sign of the pure maiden, the inviolate sceptre—which is all a way of veiling with words and images an inexpressible truth. The yod, bindu, flame or seed-star that is the letter of the 20th path and Tarot trump The Hermit IX on the Hermetic Tree is, in the absolute sense, Hadit, the giver of Life, the animator of all things that live and move and have their being.
The Tarot image for this path has the esoteric title, Prophet of the Eternal: Magus of the Voice of Power. The 20th path of Yod connects Chesed, the sphere of Jupiter, with Tiphereth, the sphere of the Sun. The path is imaged forth by the Tarot key, The Hermit IX. The path is called The Intelligence of Will since it is the stream of light or intelligence forming the innermost structures of mind or intellect in man. The Intelligence of Will is called thus “because it forms all patterns, and to know this Intelligence is to know the whole reality of the Primordial Wisdom.” The knowledge of the spiritual will constitutes the full realisation of the cosmic purpose or meaning in all things; on this path arises the possibility of knowing and doing the True Will, as it is termed in the cults of Thelema.
The Hermit as Mercury
The Thoth Tarot picture for this path depicts a hermit, for Hermes is the Greek deity that the Romans called Mercury. Hadit is Mercury in the highest—or most simple or abstract—form. Mercury is the planetary ruler of the astrological sign of Virgo, and Virgo is unique in the Zodiac in that Mercury rules her sign and is also exalted therein. The lamp of the hermit is a metaphor for the Hermetic Light, which he veils from the world. His staff is the energy, the Occult Force, which he applies with strict vigilance and economy of means towards the Great Work. Behind him is Cerberus the three-headed hound of hell. Cerberus, the son of Typhon, doubles as both scourge and Guardian of the Gate—for he prevents those that have become ensnared in the underworld from ever escaping.
It is to be noted that Aleister Crowley directed the artist Frieda Harris to depict the Hermit as according to his ‘phallic’ magical philosophy. The spermatozoon in the lower left corner is thus an unintentional ‘blind’. While Crowley felt he might be revealing too much of the mysteries, he was in fact not even revealing the half of it! Even in the Golden Dawn system of correspondences adopted by the ‘Beast’, Virgo is the sign of Isis. The will-seed is hers in a subtler sense. While Asar (Osiris) has this seed-star latent within him, if he limits or restricts Isis (the woman) through adoration of his personalised will then he dooms her (thusly, his soul) to the fate of the scarlet woman as described in the (Egyptian) Book of the Law, III: 43.
Fragmentation of the Atomic Age
The mundane character of Virgo, the mutable earth sign, is all about the particulars, the details of every-thing. The conceptual mind, driven forwards by the scourge of Hadit, yet thrown back into the abyss by the son of Typhon, breeds and begets more and more infernal children. Thus Conceptual Art is now the predominant doctrine in today’s academic institutions. It is a sign or omen that the analytical mind has attained its full immersion in the realm of matter at its lowest or most dense level. At this material extremity of the human mind, the situation depicted in the minor Tarot card called the Ten of Swords comes about. The human heart or soul is broken up into fragments that are blasted, blown and scattered through the echoing emptiness of space—torn apart by the divisive power of the sword of the reasoning mind.
As a race, we are still in the aftermath of the explosion of the first atom bomb. We live in an age that trembles before the terrifying shadow of the Ape of Thoth as it is depicted in the Tarot trump assigned to Hermes-Mercury. That is why we sometimes use the atom and particle physics as a metaphysical analogy. The fragmented atom sweeps matter away in a lightning-fast cloud of fire and smoke. The trauma of that tremendous atom-smashing event, that has rended apart far more than even physical matter, now continues to reverberate on the plane of mind. The cell phones, computers and other digital devices that are now the plague-fetishes of our times are no more than ‘particular’ vehicles of expression for the lasting imprint of that hellish atomic atrocity upon the collective intelligence of humanity. That singular event demonstrated that the most clever and subtle scientific minds the race could produce were only, in the end, capable of producing senseless, barbaric mass-destruction on a scale never before imagined.
Kenneth Grant, in his Typhonian Trilogies, told how even the very first atom-splitting test tore open the fabric of space and time. A crack was then opened up in the delicate membrane that encircles the planet—the invisible egg of light that once served as a barrier or ring-pass-not against the intrusion of those from ‘Outside’. That is why The Fool 0 that Frieda Harris had painted for the highest path of Aleph on the Hermetic Tree wears a mask of madness and horror—for he has opened a veil that was once so tightly drawn to appear seamless, and therefore invisible to mortal eyes. What is the secret that the Fool beholds? It is himself that he sees, hurtling downwards towards the abyss.
The physical destruction unleashed by the atom is itself a metaphor for the intellectually destructive philosophical atomism, which was introduced through the arguments of the ancient Greeks. Causal determinism is still the dominant intellectual mode of our times. The tragic consequences of this are but dimly perceived by the legions of cerebrally and sensually anaesthetised hominids—those who dare not take their eyes and ears away from the beguiling artificial world of digital information. The configuration of stars and planets signifies that we have truly entered a new era. It is an era in which Initiates must conserve all of their energy and direct it towards the Great Work. Only then will they succeed in rising up above what is metaphorically termed, the waters of the Nile flood. While the water of the flood is not evil in itself, the dwellers that lurk within present a foe more formidable than mankind has ever imagined.
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