Solstice Chariot to the Stars

Cancer, Chariot of the Sun, is the 18th path on the Hermetic Tree of Life and is the intelligence linking the Understanding of Binah, the throne of Saturn, with Geburah, the energy of Mars. The esoteric title of the path is Child of the Powers of the Waters: Lord of the Triumph of Light.

Thoth Atu VII Chariot to the StarsThe Thoth Tarot trump is The Chariot VII, depicting Binah as the Holy Graal and Geburah as the furnace of the Sun, which is the blood or energy poured into the Cup by the magician.The sixteen subquadrants of the elemental Watchtowers of the Universe are depicted as composite sphinxes drawing the Chariot forward. The letter of the Tarot Atu is cheth, ‘fence or enclosure’. Cheth spelled in full (ChITh) is equal to 418, the number of Abrahadabra, which is emblazoned upon the Chariot’s canopy. Aleister Crowley’s solar interpretation of Abrahadabra as ‘Father-Sun-Hadit’ conceals a lunar formula, which is that of the magical spirit-body called the Khu in ancient Egyptian sacred texts and in Liber AL vel Legis. In cosmic aspect the Khu is the ‘company of heaven’ referred to in the (Egyptian) Book of the Law, Liber AL vel Legis I: 1–4:

Had! The manifestation of Nuit. The unveiling of the company of heaven. Every man and every woman is a star. Every number is infinite; there is no difference.

The 18th path of Cheth is called the Intelligence of the House of Influence. Cheth means ‘a wall or enclosure’. From the interior of Binah, runes of secret knowledge flow forth via the Abyss. Secreted in these shades or stars is the key of union with Nuit, the Queen of Space. The power or intelligence of the 18th path is experienced as consciousness that flows like water from the innermost depths, symbolised as the walled City of the Pyramids.

Secrets of the Chariot

Much of the labour of the Great Work is to make the frail human personality a suitable vehicle for the influx of cosmic consciousness that would otherwise overwhelm it. The preliminary work is to train the mind and increase the power of concentration—to hold an image steady in the mind like an unwavering flame. The mental powers are then applied to the building of a chariot or Merkebah, as depicted in the Tarot trump. The chariot is the vehicle of will, called the resurrection body in mysticism. By this vehicle, the secret paths of the Hermetic Tree may be negotiated. The Holy Ghost and Holy Graal are cognate terms. The Cup of Babalon or Binah is the receptacle from which the feminine spirit, Khu or Shekinah, is imbibed, producing divine intoxication—not to be confused with ordinary drunkenness. The resurrection body is introduced in Liber AL vel Legis, I: 8,

The Khabs is in the Khu, not the Khu in the Khabs.

The magical power of the 18th path is the Power of Casting Enchantments.[1]

Khephra Scarab by Jeff-DahlTaken at the most superficial level, the Power of Casting Enchantments is suggestive of the kind of magick usually associated with witchcraft or voodoo, where village folk consult with their shaman to settle a dispute with their neighbour, get revenge on someone that has slighted them, or perhaps cook up a potion to help them seduce someone. More seriously, the ancient Egyptian image for Cancer is the scarab beetle, Khephra. Khephra, or the sun at media nox, is the supreme totem of enchantment and of all transformations. Khephra is the neter (principle) of Becoming. Khephra is self-created, self-born, self-becoming, ever-changing and ever-living. Khephra is the Becoming—the magical transformative principle itself. Through this principle the soul is able to pass through the underworld and undergo transformation into a radiant Khu or Phoenix—the resurrection bird or Chariot to the Stars.

Influential occultists of the 20th century were deluded by the pseudo doctrine of the Theosophists, where the individual ego is supposed to ‘reincarnate’ for life after life. Aleister Crowley, Dion Fortune and others readily embraced the Theosophical notion as it provided almost limitless possibilities for story-telling. Fictional characters could travel back and forth in time; a magician could be anything they want to imagine in a ‘past life’—very often a priest or priestess from the sunken isle of Atlantis with incredible supernatural powers, or a mysterious adept endlessly reincarnating into new earthly lives to fulfil a supremely appointed destiny. If taken in any way seriously this is flattering for the individual while leading the aspirant into a spiritual cul-de-sac. The misinterpretation of ancient Greek and Hindu scriptures was later packaged and sold to naïve Westerners by New Age entrepreneurs.

Acceptance of the Theosophical doctrine has prevented Crowley and his followers from interpreting the Book of the Law on vital matters, such as, ‘‘What happens to the soul after death?’ ‘What must an Initiate do to prepare for this?’ Even the aim and purpose of a Great Work becomes obscure once the nebulous philosophy of the New Age movement is accepted. Crowley, who was heavily influenced by Madame Blavatsky, proclaimed that Thelema is a ‘New Law for Humanity’. It is in fact the very ancient law and eternal truth that governs Initiation and soul survival. Esoteric Thelema is identical with the Setian Gnosis of ancient Egypt, and in particular, of the Setian cult of Mentu in Thebes of the 26th Dynasty.[2] Egyptologists have served to further obfuscate the truth by placing emphasis on the late dynastic Osirian mummification process. Yet even The Egyptian Book of the Dead (so-called) reveals a consistent ancient Egyptian doctrine of the afterlife. The work of one unique incarnation determines whether the soul survives the second death or suffers annihilation through the dispersive forces of the underworld. Esoteric Thelema continues the ancient Egyptian Setian Gnosis where magical initiation and the life of the soul after mortal death are notions so intimately related as to be identical.[3]


Notes

1. Adapted from The Flaming Sword Sepher Sephiroth [Ordo Astri].

2. The source of the Thelemic transmission mediated by Rose Crowley in Cairo in 1904 was the Stele of Revealing, the funeral stele of a priest of the cult of Ankh-af-na-khonsu, Thebes, 26th Dynasty (around 500 BCE). See Babalon Unveiled! Thelemic Monographs [Ordo Astri].

3. See Babalon Unveiled! Thelemic Monographs for Esoteric Thelema. The book includes new translations and commentaries on spells from The Egyptian Book of the Dead. The ancient Egyptian and Thelemic doctrine of the afterlife is there fully explained.

The Egyptian Tarot of Thelema trump for Cancer Solstice is Atet VII. The card and its description may be viewed here at Ordo Astri.

© Oliver St. John 2013, revised 2019
Khephra Scarab drawn by Jeff Dahl

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The Magick of Margaret Bruce

Margaret Bruce is as unknown now as she was when living and working at her isolated farm retreat deep in the countryside. There is next to nothing about her on the Internet. Yet she wrote and privately published what may be the most original and instructional book on the subject since Eliphas Levi’s Transcendental Magic.

Margaret Bruce Magick: Daemon

No sooner is a temple built to God, but the devil builds a chapel hard by (Herbert)

Belief  alone makes your world what it is. You have been conditioned to believe in illusion. Let me teach you to believe in reality!

Those who see me as the Sphinx, propounding riddles, are those who have difficulty understanding most other things in life. But others may say, as was said of Lady Godiva, “She reveals too much!” Let them take comfort however. The greatest Occult Secret of all, proclaimed in ringing tones from every rooftop in the land would be perfectly safe.

Few occult students appreciate the arrogance of their demands. Many an enthusiastic young hopeful, armed with regalia, ritual and Words of Power, sets out to invoke some Cosmic Entity only to find that his boss wants him to work overtime that evening. The hilarious incongruity of the situation fails to register and his appointment with the Cherubim and Seraphim is postponed sine die while he helps with the stock taking.

The following legend is emblazoned inside the front cover of the book, Margaret Bruce’s coveted collection of Tried, Proven and Practical Natural, Goetic, Theurgic, Transcendental and Illusory MAGICK as inherited, professed and practiced through seven generations from the year of Our Lord 1777 to the present day.

TAROT CARD NUMBER TEN

Margaret Bruce Magick: Drop-cap

N the Temple of HATHOR served a priest called Nefer-hotep. His path from Zelator to Magus took threescore years and led through realms of Fire and Ice and many ordeals. One day a woman gave alms at the Temple. A group of actors and clowns, seeing the coins, were filled with envy and greed. Exchanging their motley for priestly robes, they banged on drums and blew trumpets to attract the crowds. “Miracles and Blessings for sale!” they shouted; and soon the simpletons in the town were flocking to buy. When the simpletons found they had been swindled, the clowns were far away, selling more Miracles to more simpletons.

The clowns grew ever bolder in their new trade and their boasting grew sillier. Each tried to outdo the other and they squabbled and fought among themselves. “I can make the old young again!” cried one. “I can transform goats into maidens!” screamed his rival. Until even the simpletons could see that, for all their priestly garb, the clowns were nothing more than clowns.

A thrice told lie is believed by the liar, and the clowns began to believe they had miraculous powers. Thus came their downfall. For Nefer-hotep was hated by the Demons he had exorcised in the past but they could not harm him because his Heart, when weighed in the balance of THOTH was not one breath lighter or heavier than the Sacred Feather of MAAT.

But the Demons saw the clowns in priestly garments and smelled the corruption beneath the stolen robes of office. So entered the Demons into the souls of the clowns and destroyed them, thinking they had destroyed their enemy Nefer-hotep. The flesh of the clowns fell from their bones and the serpent made her nest in their skulls until, in time, the bones themselves became dust; and this dust mingled with the sands of the desert and was borne upon the wind. Their names, if names they ever had, are forgotten.

The Temple of HATHOR remains. Nefer-hotep remains.

And a new band of strolling clowns and actors approaches.

And the Demons wait with infinite patience.

Margaret Bruce MAGICK

Each chapter of MAGICK by Margaret Bruce, her only (known) published work, is a single page, lavishly illuminated with antique line drawings and arabesque motifs. The pages are not numbered but the text is printed on different coloured papers, as Bruce explained in her Preface.

This is not simply a book of Magick, but a Magick book. The pages are unlimited by numbers and the Magick dwells in the pauses between the reading of each word and the turning of each page. Just as music is mere noise without the measured periods of nothing between the notes and chords, so the art and craft of Magick comprises the placing of apparent nothings in dynamic relationship with apparent realities in order to create a desired result. In order to do this, it is necessary to learn the difference between illusion and reality—a task which may be attempted by perhaps one suitable person in a million. Of a million such aspirants, one partial success might be an optimistic estimate. The ability of the reader to comprehend this basic fact is all that limits the Magick of this book.

Margaret Bruce Magick: LyonesseWhen I came back from Lyonesse with magic in my eyes… The photograph (left) is of Margaret Bruce as a child of six years. It is placed with ‘Images Within Images’, on the centre pages of the book—which was “written, designed and printed from the outsides towards  the middle, the page numbers are only in your mind”. What little is known about Margaret Bruce derives either from what she disclosed in her book and letters, or that resides in the memory of those who were fortunate to have corresponded with her. She was a recluse, living in a remote farmhouse surrounded by rescued animals, and would not entertain human visitors. All proceeds from her apothecary and the book went to Margaret Bruce’s Animal Sanctuary for neglected and ill-treated farm animals and wildlife. Her grandfather was a member of the Hermetic Order of the Golden Dawn and collected a huge store of arcane knowledge, including secrets of incenses, oils and all manner of potions and charms. It is clear that he passed on this knowledge, gathered from translating countless manuscripts and much more besides, to his daughter.

According to Margaret Bruce, some of the recipes were from Voodoo Queen Octavia Labeau.

When she visited Britain in 1909 to demonstrate clairvoyance to the Spiritualist groups she stocked up with perfumes from my grandparents and allowed my grandmother to copy some 600 recipes and spells from the hand written minute-book she carried on her travels. These recipes, translated from the curious Creole French of Madame Labeau’s original, now form part of my own hand written grimoire that runs to several volumes.

It is not known whether the precious grimoire still exists. We first knew of Margaret Bruce through Dolores Ashcroft-Nowicki, co-founder of the SOL Association, who gave us the recluse’s address in Ireland. From there we requested her catalogue and soon became regular customers. Her incense, oils and other products were of unsurpassed virtue. The little book, MAGICK, is among the most highly valued of rare books in our library.

All sanity, all reality, all nature is, together with magick, retreating from the suffocating menace of mankind. If you wish to discover real magick perhaps you should hurry!


Quotations from Magick [Angel Press, 1984].

1. Tarot Card Number One
2. Epilogue
3. Magick and the Supernatural
4. Preface
5. Voodoo—Religion or Racket?
6. Magick and Madness

Related articles
Magick of Voodoo: Ode to the Crossroads

© Oliver St. John, 2018

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Magick of Voodoo: Ode to the Crossroads

Voodoo, or voudon as it was termed by Kenneth Grant, was brought to Haiti by African slaves. Naturally, as missionaries in turn took the Roman Catholic religion to Haiti, Christianity is part and parcel of voodoo. A curious admixture!

Voodoo Likeness

Medieval grimoires are sophisticated in their use of symbolism. They are also frequently obscure, whether through copying errors, intentional ‘blinds’ or perhaps sheer ignorance. One only has to look at the Keys of Solomon, usually rated as a better class of grimoire, to find complex systems of astronomical hours and days, Qabalistic powers, thrones and dominions. Add to that the hosts of angels, demons and spirits, each defined by quality, type and signature, and one can see why these rare books, usually written in Latin, were sought after by luminaries such as John Dee.[1]

Voodoo AmuletIn the case of grimoires we can usually assume the recipe ingredients are metaphorical. If the instruction is to use the ‘blood of bat and eye of newt’ we know that what we are really being told is to use black ink pigment for the vellum. The newt is neuter, ‘neither-not’, and is a salamander that has the combined characteristics of fish, serpent and frog. The field of magical transmutation is that part of the occult anatomy corresponding to the medulla oblongata.

Voodoo Chile

I stand up next to a mountain, and chop it down with the ledge of my hand … I pick up all the pieces and make an island, might even raise it to the sand.

James Marshall Hendrix, Voodoo Chile

The song lyric is not about commanding the forces of nature. It is about being the force of nature itself. Hendrix delighted in such esoteric themes as the precession of the equinoxes and magical birth, death and resurrection. There are tales of being abandoned in a deserted place, rescued by mountain lions and carried through the air on an eagle’s back. Self-identification with natural and cosmic forces as typified in the natal horoscope is a key magical practice. Some are born with a powerful sense of destiny, others seek it out. All must come to understand at last the impersonal source of such power, or else suffer the delusion of personal identification with Ishvara, the ‘great chief’. The relationship with the Holy Guardian Angel is more complex than that of any terrestrial daemon.

Black Cat Bone

What then are we to make of the ‘black cat bone’, as recounted by legendary blues singers? The instruction might well have been intended quite literally. Bones, whether human or animal, are frequently used to decorate the village shaman’s hut—or apartment, as it may be. It seems fairly unlikely that modern devotees of the hybrid cult will be devout (and practicing) Roman Catholics, which rules out any really authentic voodoo initiation. The faith is an absolute requirement, as it was for the European witches, so called. There is one thing we can know for certain. Once we begin to imagine that the mere procurement of the right ingredients will confer supreme governance of nature then we are certainly on the short road to the lunatic asylum. Analysis is necessary, then synthesis. We need both solve and coagula to work magick.

Let us begin then with solve. We are told the creature must be ‘black’. Black is the one colour that is not a colour; it is defined by the absence of any colour. Very good. What of the feline? The cat is notable as combining the characteristics of lion and serpent—a fact that owes in some measure to the pronounced flexibility of the spine. In a certain sense the cat is also neuter, as was the case with the newt. Finally, the bone—the hardest, most indestructible part of the physical frame.

Having applied solve, we may proceed to coagula. The real import of the black cat bone has been readily revealed. All we had to do was to think of the principles involved, the neteru. We must now apply this knowledge to our great and noble purpose. We have an absence, an androgynous lion-serpent, and the most indestructible part of the anatomy. Magical operations do not begin with a word; they begin with silence. Before Kether is Ain Soph Aur, before that, Ain Soph, and before that we have Ain, beyond definition. While magick begins there, meditation ends there, if it ends at all. It is the goal of yoga to know as we are known, and to do that we first have to get ourselves out of the way. We now know something of the conditions needed for a magical operation, beyond any considerations of the timely orbits of the planets. We go to praxis. In this, we are inspired to spontaneous utterance of prayer, of invocation. Yet we maintain silence, else no bone may be cast. By supreme effort of will, all images are forged in the one image.

Crux Voudon

In the rolling abyss, a glowing spark—behold!
Flame-fire in the depth: Energy of the Universe unfold.
Thy serpent trunk, thy lion crown bedecked with stars.
My God, my God! Nameless thou art.

Thou lurking beast, to whom all flesh is prey,
Devourer on the threshold of Amenti,
Legion on the bank of Bayou,
Feast on judgement day!

Hastened by Odin’s eightfold steed,
Honed in the stalwart stream.
Raised up, the mount of bones gleaming white.
Then behold one king—crucified.

Groan Golgotha, cry aloud Carfax Voudon!
Now come the stainless seed, deep born perfection.
At the last, a fit offering: one dewdrop remain.
Behold, the diamond soul—thus named!


Notes

1. The Mage John Dee was the personal astrologer to Queen Elizabeth I and a leading scientist and cartographer.

© Oliver St. John, 2018
More on the Nightside:
Dreaming Thelema of Kenneth Grant and H. P. Lovecraft

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