Solstice Chariot to the Stars

Cancer, Chariot of the Sun, is the 18th path on the Tree of Life and is the intelligence linking the Understanding of Binah, the throne of Saturn, with Geburah, the energy of Mars. The esoteric title of the path is Child of the Powers of the Waters: Lord of the Triumph of Light.

Chariot to the Stars: Egyptian Tarot of Thelema Atet VIIThe Egyptian Tarot of Thelema Atu is Atet VII, depicting the Sun Boat of Ra at the summer solstice.[1] In cosmic aspect the Khu or vessel is the ‘company of heaven’ referred to in the (Egyptian) Book of the Law, I: 1–4:

Had! The manifestation of Nuit. The unveiling of the company of heaven. Every man and every woman is a star. Every number is infinite; there is no difference.

The 18th path of Cheth is called the Intelligence of the House of Influence. Cheth means ‘a wall or enclosure’. From the interior of Binah, runes of knowledge flow forth via the Abyss. The power or intelligence of the 18th path is experienced as essence that flows like water from the innermost depths.

Secrets of the Chariot

Much of the labour of the Great Work is to make the frail human personality a suitable vehicle so that spiritual influence does not overwhelm it. The preliminary work is to train the mind and increase the power of concentration—to hold an image steady in the mind like an unwavering flame. The mental powers are then applied to the building of a chariot or Merkebah, as depicted in the Tarot trump. The chariot is the vehicle of will, called the resurrection body in esotericism. By this vehicle, the paths of the Tree of Life may be negotiated. The Holy Ghost and Holy Graal are cognate terms. The Cup of Babalon or Binah is the receptacle for the feminine holy spirit, Khu or Shekinah. The resurrection body is introduced in the (Egyptian) Book of the Law, I: 8,

The Khabs is in the Khu, not the Khu in the Khabs.

Khephra Scarab from Egyptian Tarot of ThelemaThe magical power of the 18th path is the Power of Casting Enchantments.[2] Taken at the most superficial level, the Power of Casting Enchantments is suggestive of degraded traditional forms such as witchcraft or voodoo, where village folk consult with their shaman to settle a dispute with their neighbour, get revenge on someone that has slighted them, or perhaps cook up a potion to help them seduce someone. More seriously, the ancient Egyptian image for Cancer is the scarab beetle, Khephra. Khephra, or the sun at media nox, is the supreme totem of enchantment and of all transformations. Khephra is the neter (principle) of Becoming. Khephra is self-created, self-born, self-becoming, ever-changing and ever-living. Khephra is the Becoming—the transformative principle itself. Through this principle the soul is able to pass through the underworld and undergo transformation into a radiant Khu or Phoenix—the resurrection bird or Chariot to the Stars.

Influential occultists of the 20th century were deluded by the pseudo doctrine of the Theosophists, where the individual ego is supposed to ‘reincarnate’ for life after life. Aleister Crowley, Dion Fortune and others readily embraced the Theosophical notion as it provided almost limitless possibilities for story-telling. Fictional characters could travel back and forth in time; a magician could be anything they want to imagine in a ‘past life’—very often a priest or priestess from the sunken isle of Atlantis with incredible supernatural powers, or a mysterious adept endlessly reincarnating into new earthly lives to fulfil a supremely appointed destiny. If taken in any way seriously this is flattering for the individual while leading the aspirant into a psychic cul-de-sac. The misinterpretation of ancient Greek and Hindu scriptures was later packaged and sold to naïve Westerners by New Age entrepreneurs.

Acceptance of the Theosophical doctrine has prevented Crowley and his followers from interpreting the Book of the Law on vital matters, such as, ‘‘What happens to the soul after death?’ ‘What must an Initiate do to prepare for this?’ Even the aim and purpose of a Great Work becomes obscure once the nebulous philosophy of the New Age movement is accepted. Crowley, who was heavily influenced by Madame Blavatsky, proclaimed that Thelema is a ‘New Law for Humanity’. It is in fact the very ancient law and eternal truth that governs Initiation and soul survival. Esoteric Thelema is identical with the Setian Gnosis of ancient Egypt, and in particular, of the Setian cult of Mentu in Thebes of the 26th Dynasty.[2] Egyptologists have served to further obfuscate the truth by placing emphasis on the late dynastic Osirian mummification process. Yet even The Egyptian Book of the Dead (so-called) reveals a consistent ancient Egyptian doctrine of the afterlife. The work of one unique incarnation determines whether the soul survives the second death or suffers annihilation through the dispersive forces of the underworld. Esoteric Thelema continues the ancient Egyptian Setian Gnosis where initiation and the life of the soul after mortal death are ideas so intimately related as to be identical.


Notes

1. The Egyptian Tarot of Thelema zodiacal trumps may be viewed here.

2. The source of the Thelemic transmission mediated by Rose Crowley in Cairo in 1904 was the Stele of Revealing, the funeral stele of a priest of the cult of Ankh-af-na-khonsu, Thebes, 26th Dynasty (around 500 BCE). See Babalon Unveiled! Thelemic Monographs [Ordo Astri].

© Oliver St. John 2013, revised 2022
The Khephra Scarab is from the Egyptian Tarot of Thelema.

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Beethoven, Philosophy and the Stars

Ludwig van Beethoven was born at 03:40 am on December 16th, 1770 in Bonn. His horoscope has the Sun, Moon and Mercury in Sagittarius. Jupiter, ruler of Sagittarius, is accentuated by conjunction with the Sun. This is apt considering that Beethoven developed the music of the Classical era so far beyond its existing parameters that many persons at the time could not comprehend what he was doing.

Beethoven, Philosophy and the Stars: Ludwig van BeethovenBorn at the dark of the Moon, Beethoven was strongly influenced by the revolutionary movement in Europe. The position of Uranus in Taurus directly opposite his Scorpio Ascendant is descriptive of his love for ancient traditions combined with magnetic compulsion towards individual freedom and liberty. Beethoven openly despised the rigid class system of the time. Friends and patrons alike found him unconventional, uncompromising and ‘difficult’.

The disruptivBeethoven, Philosophy and the Stars: Natal Horoscopee placement of Uranus in the 7th house indicates misfortune in matters of love. The field of the 7th house embraces ‘all others’, including any marriage partners. Beethoven never married but fell passionately in love with a succession of unattainable women. That is to say, the women were unattainable by virtue of their higher social class or ‘position’.[1] In the case of his love for Antonie Brentano, the problem was that she was already married. In July 1812, the composer spent two days writing a now famous love letter that he never sent, and possibly never intended to send. It was addressed to “you, my Immortal Beloved”, and went on to include,

“My heart is full of so many things to say to you—ah—there are moments when I feel that speech amounts to nothing at all. Cheer up—remain my true, my only love, my all as I am yours.”

The unaspected Venus in Capricorn in the 3rd house of the chart indicates that Beethoven had an inclination towards falling in love with women that he taught the piano to. Women of ‘noble breeding’ were expected to play a little music as an ‘accomplishment’, so their husbands would not be bored by their company. While exalting the women to the heights (Saturn at Midheaven), Beethoven would remain isolated in the relationship for one reason or another, and so unable to form what was in those days called ‘an attachment’ with the object of his desire.

Beethoven, Philosophy and the Stars: portrait of the young man (detail)Anecdotes and letters show the Uranian element to be very powerful with Beethoven. He supported the French Revolution until Napoleon declared himself Emperor. On hearing the news, Beethoven took the front page of the score for his 3rd Symphony, upon which he had written a dedication to Bonaparte, and tore it in half, separating his name from that of the self-proclaimed Emperor. When his brother once acquired some land and signed himself as “van Beethoven, land proprietor”, Beethoven replied, “van Beethoven, brain proprietor”. Beethoven famously said to the noble Prince Lichnowsky (a patron and admirer),

“What you are, you are by accident of birth; what I am, I am by myself. There are and will be a thousand princes; there is only one Beethoven.”

Mars is the Lord of the Horoscope, as ruler of the Scorpio Ascendant. Mars, from his location in the 8th house, sends three formidable opposing rays against the Sun, Moon and Mercury in the 2nd house. As the 2nd house generally governs the physical body, it is impossible not to think of the crippling deafness that brought the maestro to the brink of suicide. Survival of that period was accomplished by a heroic effort of will. Only love of God, and the gift of music—that there was so much more music he had yet to give to the world—saved Beethoven from self-annihilation.

A further notable configuration in the natal horoscope is the Grand Trine formed between Neptune, Uranus and Pluto in the earth triplicity. The slow-moving outer planets are traditionally regarded as ‘impersonal’ factors in a horoscope, marking the character and experience of an entire generation. There are various placements, however, that can indicate the potentially subversive intrusion of supersensory phenomena.[2] Scientific orthodoxy will not accept the ‘supersensible’. Nonetheless thousands, perhaps millions of persons have experienced something that is only expressed in terms of spiritual philosophy, for example, ‘transfiguration’, when listening to the music of Ludwig van Beethoven.

Ludwig van Beethoven and Philosophy

Alexander Wheelock Thayer (1817–1897) was the author of the first biography of Ludwig van Beethoven. The work is still regarded as a standard reference on the composer’s life. Ludwig was well versed in classical Greek literature as well as that of the German philosophers of his time. Of the German writers, the composer particularly revered Schiller and Goethe. At around the middle of his career, Beethoven wrote to a friend,

Beethoven, Philosophy and the Stars: the composer“Since that summer in Karlsbad I read Goethe every day, that is, when I read at all. He has killed Klopstock for me. You are surprised? And now you laugh? Ah ha! It is because I have read Klopstock. I carried him about with me for years while walking and also at other times. Well, I did not always understand him, of course. He leaps about so much and he begins at too lofty an elevation. Always Maestoso, D-flat major! Isn’t it so? But he is great and uplifts the soul nevertheless. When I could not understand him I could sort of guess. If only he did not always want to die! That will come quickly enough. Well, at any rate, what he writes always sounds well. But Goethe—he is alive, and he wants us all to live with him. That is why he can be set to music. There is no one who lends himself to musical setting as well as he.”[3]

‘Maestoso’ is a musical term, meaning, ‘majestic, dignified’, usually quite slow in tempo. To Beethoven, the key of D-flat major, with many black notes if played on the piano, would have epitomised a mood of depression or despair.

Thayer reports that in 1823, the Englishman Edward Schulz wrote of his visit to Beethoven. He had found in him a friend of ancient Greek literature such as the works of Homer, particularly his Odyssey. Beethoven preferred Plutarch above all classical writers; from there he developed an admiration for ancient Egypt. In Isis and Osiris, which was written as a letter to Clea, a priestess of Isis, Plutarch writes,

“All good things, my dear Clea, a sensible men must ask from the gods; and especially do we pray that from those mighty gods we may, in our quest, gain a knowledge of themselves, so far as such a thing is attainable by men. For we believe that there is nothing more important for man to receive, or more ennobling for God of His grace to grant, than the truth. … Therefore the effort to arrive at the Truth, and especially the truth about the gods, is a longing for the divine. For the search for truth requires for its study and investigation the consideration of sacred subjects, and it is a work more hallowed than any form of holy living or temple service; and, not least of all, it is well-pleasing to that goddess whom you worship, a goddess exceptionally wise and a lover of wisdom, to whom, as her name at least seems to indicate, knowledge and understanding are in the highest degree appropriate.”


Notes

1. A musician, even a composer and performer of exceptional ability, was no different from a merchant in the social order. A woman of the nobility, or otherwise of high standing, could not enter into a liaison with a person of inferior rank without risking her reputation and inheritance. Indeed, she could risk more than that. If unsupported she could not gain employment even as a menial servant. The embankment of London, for example, was densely populated in those days with completely destitute women from all social classes.

2. The book Hermetic Astrology has a chapter devoted to ‘Outer Gateways’  formed when outer planets make a personal impact on the native. These are sometimes associated with supersensory phenomena. Some dictionaries do not include the word, ‘supersensory’, as it is not acceptable to conventional science. The Oxford dictionary gives, ‘transcending the senses; that is above or beyond what is perceptible by the senses’. It would be more accurately described, ‘beyond what is perceptible to the ordinary human senses’. Some persons, and many species of animal and bird, have extraordinary senses. The word was coined by the 19th century psychical researcher, Edmund Gurney.

3. Beethoven, by Thayer, pp. 802.

© Oliver St. John 2019

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Aries Equinox: Hrumachis

The Egyptian Tarot of Thelema trump for the Aries Equinox is Hrumachis IV.[1]

Aries: Egyptian Tarot of Thelema IVThe king portrayed in traditional versions of the trump is the fisher-king found in the myths and legends of many cultures. The king is an image of meditation where key symbols are held and fixed by concentration of will. Meditation requires sustained and persistent effort over a lengthy period of time—years, not days or weeks—before it ceases to be regarded as a personal exercise.

The powerful astral glamour that pervades this path gives rise to the delusion of instant enlightenment, the notion that much can be gained spiritually in return for very little effort. The desire for acquisition of spiritual or magical powers, or the belief that one can be made ‘healthy, wealthy and wise’ through magical manipulation, psychological improvement or hypnotism is no more than the restless urge of the human ego to maintain its tyranny over the soul. The beginner at meditation discovers that instead of making things more comfortable, the practice irritates the body and is annoying to the ego. Most therefore terminate the discipline within a few days or weeks, deciding that it is not their ‘path’, after all—they soon return to the market place where vendors are eager to trade in miracles. The magical power of the 28th path is the Power of Consecrating Things.

The Aries Equinox and 28th path thus embody the principle of governance. The King and the land are one. The ego and body are one. There is a need to seek out a holy graal, lest the body of the king becomes a wasteland, and the soul is dragged down with it.

Aries Equinox: Natural Intelligence

The 28th path of Tzaddi connects Netzach, the sphere of Venus, with Yesod, the sphere of the Moon. The title of the 28th path is the Natural Intelligence, for it is the perfection of the nature of all things under the orb of the Sun. The desire of Venus reflected into the mirror of the Moon makes impressions upon the Astral Light. Much of the work of occultism is to create new forms as suitable vehicles for the incarnation of the will to transcendence. On the other side of the coin, forms are created to hook or enslave the soul, as revealed by the ‘fishhook’ of the letter tzaddi.[2]

Esoteric Title of the Tarot Key

The esoteric title of the Tarot trump is Son of the Morning, Chief among the Mighty. Lucifer or Satan, in Christian terms, is generally thought to be the ‘son of the morning’ referred to in the book of Isaiah, 14: 12, which is a title of Venus as the Morning Star. The title of the 4th Tarot Atu is incorrectly given in Crowley’s ‘acquired’ work, Liber 777, as Sun of the Morning. It is incorrect because the title refers to Venus, not the Sun. Chief Among the Mighty refers to the original Golden Dawn placement of the trump on the 15th path from Chokmah to Tiphereth. Curiously, Son of the Morning adumbrates the change of placement to the 28th path of Tzaddi recommended by Aiwass in the (Egyptian) Book of the Law, I: 57.


Notes

1. The Egyptian Tarot of Thelema trump for the Aries Equinox is Hrumachis IV. The card and its full description can be viewed here at Ordo Astri.
2. The description of the 28th path is from The Flaming Sword Sepher Sephiroth.

© Oliver St. John 2015, 2022 (revised)

Related articles: Equinox of the Gods

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