Solstice Chariot to the Stars

Cancer is the 18th path on the Hermetic Tree of Life and is the intelligence linking the Understanding of Binah, the throne of Saturn, with Geburah, the energy of Mars. The esoteric title of the path is Child of the Powers of the Waters: Lord of the Triumph of Light. The Thoth Tarot trump is The Chariot VII, depicting Binah as the Holy Graal and Geburah as the furnace of the Sun, which is the blood or energy poured into the Cup by the magician.

Thoth Atu VII Chariot to the StarsThe sixteen subquadrants of the elemental Watchtowers of the Universe are depicted as composite sphinxes drawing the Chariot forward. The letter of the Tarot Atu is cheth, ‘fence or enclosure’. Cheth spelled in full (ChITh) is equal to 418, the number of Abrahadabra, which is emblazoned upon the Chariot’s canopy. Aleister Crowley’s solar interpretation of Abrahadabra as ‘Father-Sun-Hadit’ conceals a lunar formula, which is that of the magical spirit-body called the Khu in ancient Egyptian sacred texts and in Liber AL vel Legis. In cosmic aspect the Khu is the ‘company of heaven’ referred to in the (Egyptian) Book of the Law, Liber AL vel Legis I: 1–4:

Had! The manifestation of Nuit. The unveiling of the company of heaven. Every man and every woman is a star. Every number is infinite; there is no difference.

The 18th path of Cheth is called the Intelligence of the House of Influence. Cheth means ‘a wall’ or ‘enclosure’. From the interior of Binah, runes of secret knowledge flow forth via the Abyss. Secreted in these shades or stars are the keys of union with Nuit, the Queen of Space. The power or intelligence of the 18th path is experienced as consciousness that flows like water from the innermost depths, symbolised as the walled City of the Pyramids.

Secrets of the Chariot

Much of the labour of the Great Work is to make the frail human personality a suitable vehicle for the influx of cosmic consciousness that would otherwise overwhelm it. The preliminary work is to train the mind and increase the power of concentration—to hold an image steady in the mind like an unwavering flame. The mental powers are then applied to the building of a ‘Chariot’ or Merkebah, as depicted in the Tarot trump. The Chariot is the vehicle of will, called the resurrection body in mysticism. By this vehicle, the secret paths of the Hermetic Tree may be negotiated. The Holy Ghost and Holy Graal are cognate terms. The Cup of Babalon or Binah is the receptacle from which the feminine spirit, Khu or Shekinah, is imbibed, producing divine intoxication—not to be confused with ordinary drunkenness. The resurrection body is introduced in Liber AL vel Legis, I: 8,

The Khabs is in the Khu, not the Khu in the Khabs.

The magical power of the 18th path is the Power of Casting Enchantments.[1]

Khephra Scarab by Jeff-DahlTaken at the most superficial level, the Power of Casting Enchantments is suggestive of the kind of magick usually associated with witchcraft or voodoo, where village folk consult with their shaman to settle a dispute with their neighbour, get revenge on someone that has slighted them, or perhaps cook up a potion to help them seduce someone. More seriously, the ancient Egyptian image for Cancer is the scarab beetle, Khephra. Khephra, or the sun at media nox, is the supreme totem of enchantment and of all transformations. Khephra is the neter (principle) of Becoming. Khephra is self-created, self-born, self-becoming, ever-changing and ever-living. Khephra is the Becoming—the magical transformative principle itself. Through this principle the soul is able to pass through the underworld and undergo transformation into a radiant Khu or Phoenix—the resurrection bird or Chariot to the Stars.

Influential occultists of the 20th century were deluded by the pseudo doctrine of the Theosophists, where the individual ego is supposed to ‘reincarnate’ for life after life. Aleister Crowley, Dion Fortune and others readily embraced the Theosophical notion as it provided almost limitless possibilities for story-telling. Fictional characters could travel back and forth in time; a magician could be anything they want to imagine in a ‘past life’—very often a priest or priestess from the sunken isle of Atlantis with incredible supernatural powers, or a mysterious adept endlessly reincarnating into new earthly lives to fulfil a supremely appointed destiny. If taken in any way seriously this is flattering for the individual while leading the aspirant into a spiritual cul-de-sac. The misinterpretation of ancient Greek and Hindu scriptures was later packaged and sold to naïve Westerners by New Age entrepreneurs.

Acceptance of the Theosophical doctrine has prevented Crowley and his followers from interpreting the Book of the Law on vital matters, such as, ‘‘What happens to the soul after death?’ ‘What must an Initiate do to prepare for this?’ Even the aim and purpose of a Great Work becomes obscure once the nebulous philosophy of the New Age movement is accepted. Crowley, who was heavily influenced by Madame Blavatsky, proclaimed that Thelema is a ‘New Law for Humanity’. It is in fact the very ancient law and eternal truth that governs Initiation and soul survival. Esoteric Thelema is identical with the Setian Gnosis of ancient Egypt, and in particular, of the Setian cult of Mentu in Thebes of the 26th Dynasty.[2] Egyptologists have served to further obfuscate the truth by placing emphasis on the late dynastic Osirian mummification process. Yet even The Egyptian Book of the Dead (so-called) reveals a consistent ancient Egyptian doctrine of the afterlife. The work of one unique incarnation determines whether the soul survives the second death or suffers annihilation through the dispersive forces of the underworld. Esoteric Thelema continues the ancient Egyptian Setian Gnosis where magical initiation and the life of the soul after mortal death are notions so intimately related as to be identical.[3]


Notes

1. Adapted from The Flaming Sword Sepher Sephiroth [Ordo Astri].

2. The source of the Thelemic transmission mediated by Rose Crowley in Cairo in 1904 was the Stele of Revealing, the funeral stele of a priest of the cult of Ankh-af-na-khonsu, Thebes, 26th Dynasty (around 500 BCE). See Babalon Unveiled! Thelemic Monographs [Ordo Astri].

3. See Babalon Unveiled! Thelemic Monographs for new translations and commentaries on spells from The Egyptian Book of the Dead. The ancient Egyptian (and Thelemic) doctrine of the afterlife is there fully explained.

© Oliver St. John 2013, 2019
Khephra Scarab drawn by Jeff Dahl

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True Will and Word of Thelema

This is Esoteric Thelema: The Will is esoteric. Effect, appearance, is exoteric. ‘True Will’ in its full expression may be written in Egyptian hieroglyphs thus:

True Will in Egyptian HieroglyphsThe Greek word ‘Thelema’, through its number 93, is equal to Agape, ‘love’. The ancient Egyptian word for ‘will’ or ‘desire’ is the same word used for the verb ‘to love’.[1] True Will is spelled here with the sickle-ma Lion of Truth determinative. The phonetic ‘m’ is glyphed by the twilight owl of Sophia that calls the soul to resurrection. The sealed scroll is the esoteric determinative, indicative of ‘secret or hidden things’. The word, mer-t, is pronounced, meret. On the reverse side of the Stele of Revealing, it is declared,

Ankh-af-na-khonsu shall go forth in the light, bearing the lamp and staff of Thelema among the living souls that dwell upon the earth.[2]

The root of the word, mer, forms countless words in the ancient Egyptian language. Many more are found in other languages, both ancient and modern. Mer has every meaning of flowing like a river, or watery as a lake. It is life giving, the animating will. It is a light-flowing stream, a transmission or communicative path. It is the Song of Songs, the vibration of love and life. It is the compass of every book of spells ever written. The word embraces love in all its forms. Merut means, ‘sweetheart’ or ‘beloved woman’. Merit is desire itself, the flame arising in void space. Mera is a ‘lover’ or ‘friend’, denoting (in prayer) the Holy Guardian Angel.

True Will and the Temple Priestess

In Latin, the word merus, mera or merum has the meaning of ‘unmixed wine’, denoting purity. The (Egyptian) Book of the Law, Liber AL, I: 44 states,

For pure will, unassuaged of purpose, delivered from the lust of result, is every way perfect.

The word also has the meaning of ‘bare’, ‘unadorned’—naked as truth herself. Ironically, over time the feminine noun, meratrix, came to mean ‘courtesan’ or ‘harlot’. When religious patriarchs usurped the rôle of the priestesses, all women were thrown out of the temples and subjected to slavery or prostitution.[3]

The Egyptian word for the True Will, mer-t, was anciently used as the highly respected title of priestesses serving at the temple of Tahuti (Thoth) in Khemenu (Hermopolis), the ‘City of the Eight’. The name refers to the Ogdoad of primal gods arising from the watery abyss called the nun. The principal deities of Khemenu were Set-Typhon and Tahuti, the resurrection word-bird and god of scribes. Set-Typhon was depicted at Khemenu in the form of a hippopotamus, upon which was a hawk fighting with a serpent. The hippopotamus or ‘river horse’ was also sacred to Hathoor, as its great bulk and semi-aquatic domain keys in to the foundations of the universe, perceived as the hub or axis about which the constellations revolve.

As the word of Will, Love and Truth, mer-t has a close association with Ma’at, goddess of Truth and Justice. We can spell ‘Lion of Truth’, incorporating Ma’at and Zain the Sword, Upholder of Truth, in hieroglyphics.

True Will of Maat, 93Two of the hieroglyphs are determinatives, so there is no need to add a number value. The sickle can be given the value of 30, as it is the original lamed, ‘L’. The phonetic ‘T’ (half circle) can be given the value of 9. Therefore, when spelled in hieroglyphs, Ma’at has the value of 93. The original title of the Book of the Law is thus apt, for ‘L’ (30) spells out the Book of Ma’at, the book of her occult lore.


Notes

1. See Budge, An Egyptian Hieroglyphic Dictionary, Volume I, pp. 309–10.
2. The translation is from ‘New Light on Stele 666’, Babalon Unveiled! Thelemic Monographs, pp. 43.
3. See ‘Fall and Resurrection of Babalon’,  Babalon Unveiled! Thelemic Monographs.

© Oliver St. John 2019

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Babalon Unveiled!

Babylon the Great and the Sphinx of Egypt

In the region of Old Cairo, or Keraha-Babylon, there are remains of a colossus that once stood in the vicinity of the ancient Egyptian temple of Babylon. The mighty image was of Hathoor, as can be determined by the intact base of her ruined crown. By historical accounts, there is a meaningful association between Hathoor (or Isis) and the sphinx that guards the nearby pyramids. The association will become self evident as we proceed with our investigation.

Babylon Unveiled: Hathoor, Egyptian Goddess of Love

The ancient Egyptian city of Keraha-Babylon is east of the Giza plateau, north of the modern city of Cairo. It is of great historical significance, for its situation on the Nile meant it was both port and fortified gateway to the old sacred road to On, or Heliopolis (Egyptian Aunnu). The pyramids and sphinx of the Giza plateau are in full view of the gateway to On. Additionally, the temple of Per-Hapi on the Nile port, south of Keraha, at one time contained a line of sphinxes, among other extraordinary relics found scattered throughout the region.

This article is abridged from the book, Babalon Unveiled! Thelemic Monographs. The book is a collection of 36 monographs, of which ‘Babalon Unveiled!’ forms the centrepiece. The description and cover art can be viewed here at Ordo Astri.

The name of the Sphinx of Egypt is Harmachis, as borne forth on its own stele, called the Dream Stela. The vastly antique statue depicting the woman and lion in one image is otherwise known as Hrumachis or Hormaku. The great statue of Hathoor, crowned with the sun, gazes eternally at the Sphinx of Egypt, her child-star, consort and divine image. While this may be construed metaphorically, it was a literal fact while the colossus, Babylon the Great, stood at the gates of On.

Babylon as Alchemical Catalyst

Babylon was the pre-historical name of the great centre even before it was called Keraha. The name of Babylon owes to a corruption, or linguistic simplification, of the ancient Egyptian name: pr-hpi-n-iunu, ‘Nile temple of the nome Aunnu’. A nome is an ancient Egyptian earth location regarded as sacred centre. According to the Pyramid Texts the name Keraha refers to the field of the battle between Horus and Set.

Per Het Hathoor Temple HieroglyphicsLeft: Per Het Temple of Hathoor Logogram

The battle becomes self-explanatory when it is considered that Keraha marks the exact division or boundary between the two lands of Khem, Upper and Lower Egypt. It is the geographic meeting or union of the red and white crowns of the North and South. Over long ages of time the symbolism of the union of the red and white has become embedded in magical and alchemical literature as the mystic marriage or royal wedding of Sol and Luna. The Persian temple of Babylon was known to the Arabs as Qubbat Babylon, ‘cupola of Babylon’, a fire temple. The cupola, a square tower with a rounded dome, is frequently used in alchemical literature to signify the furnace or athanor.

In modern times, the alchemical texts have been misconstrued. A rudimentary and false explanation of the secrets of alchemy as either pertaining to occult mysteries of physical sex or to psychological process has resulted in ludicrous attributions. For example, the athanor has been associated by Aleister Crowley and others with the male sexual organ whereas it is in fact a feminine symbol. The cucurbit, while seemingly an emblem of the female, is better understood as the containing principle of the entire occult anatomy.

Babylon: Lost Word of the Aeons

The rationalisation of the fragmentary knowledge that survived the fall of Egypt to be filtered through the distorting mirror of uninitiated scholarship has continued to the present day. The ‘lost word’, far from being recovered, is buried more deeply than ever in the substratum of human consciousness. Nonetheless, through the dark ages of man’s reign on earth, the living voice of Babylon the Great, whom we know as BABALON, emerges from the depths, calling us to truth and justice.

I was sent forth from Mystery,
And I will come to them that reflect upon me,
For those that seek me, shall find me.
Behold me, ye who reflect upon me,
And listen to me, ye that have ears to hear!
Ye who have waited for me, take me to yourselves,
And do not banish me from your sight.
Do not say hateful things of me, do not hear them spoken.
Do not be ignorant of me anywhere or at any time.
Be vigilant! Do not forget me.

The Gnostic scripture, Thunder Perfect Mind, was undoubtedly received in oracular fashion. By the time the biblical New Testament gospels were composed, the ancient Egyptian language was forgotten along with the secrets veiled by its hieroglyphs. Scriptural writers and editors were strongly influenced by the intensely dualistic Greek and Persian cults, and so driven by the rigours of military male asceticism.

Babylon the Fallen

Mighty Babylon, gigantic symbol of the spiritual authority of the ancient Egyptian priesthood, was long ago desecrated by a Persian king who thought that treasure might be buried underneath! According to the book of Revelation, 14: 8:

And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication.

Thus the irony deepens, for to religious zealots down the ages it is Babylon that symbolises the pride and arrogance of materialism. Perhaps the adultery, confusion or mixing up of things, was after all on the side of scriptural scribes. The mythical ‘fall’ of Babylon the Great may now be seen as having its origin in literal fact.

Babalon and Ouarda the Seer

Liber AL vel Legis is a contentious oracle since a religion has been formed around it, and its so-called prophet, Aleister Crowley. However, there most certainly was a pythoness that brought forth luminous shards of the ancient Egyptian wisdom, albeit heavily cloaked in Crowley’s conceit once he had determined that it might place power in his hands. It is likely that Rose Edith Kelly (Rose Crowley) had far more to do with the transmission and writing of Liber AL than is evident from the account given by Aleister Crowley. It has been suggested we might rename the oracular book in question as the Book of Ouarda the Seer, or of Soror Ouarda, 576, for that was Rose’s magical name.

Babalon Unveiled: Ouarda the Seer (Rose Edith Kelly)Rose was by all accounts the medium and intelligence for the transmission activated through the Stele of Revealing in the Cairo museum in 1904. We know that Aleister Crowley needed her help when he wished to change some of the wording after the transmission, even though he later claimed she had not even been present in the room when the book was received! Babalon appears in two aspects in the Book of the Law. Firstly, in cosmic form as Nuit, and secondly as the Scarlet Woman or soul, who may ‘fall’ or undergo resurrection. The words that Crowley wanted to change were from Nuit, Liber AL, I: 26:

And the sign shall be my ecstasy, the consciousness of the continuity of existence, the unfragmentary non-atomic fact of my universality.

Crowley received permission (presumably) to change the last five words to, “the omnipresence of my body”, a rather trite theological intervention compared to the vitality of the original phrase. Although superficially the meaning is the same, the neologism ‘unfragmentary’, used in conjunction with ‘non-atomic’, specifically declares the geometry of space-time as non-Euclidian and the atomic world as a mere conventional illusion. Since Einstein produced his theory of relativity the instruments of material science have proved, for example, that starlight bends around the gravitational field of the sun. The curvature of the sun’s rays forms a timeless, dimensionless sphere of sensation around the star. This is comparable to the naked splendour of the body of Nuit, which is the ancient Egyptian principle of universal containment.

Babalon: Heart and Soul

Moving forward to the present time, Babalon figures prominently in certain theurgical rites. For example, in the reformed Ritual of the Pentagram, Nuit assumes four faces about the circle of the place. In the South, attributed to elemental fire and the zodiacal sign of Leo, Babalon stands guard. She is also regarded as Mistress of Magick. It is in her name that the temple is opened and closed. The Communion Mass, which involves three primary symbols of Incense, Light and Wine, is dedicated to Hormaku, the Sphinx of Egypt and the image of the Hermetic Light as magical child.

Babylon Unveiled: Hathoor (Jeff Dahl)Babylon the Great of Egypt, our Lady BABALON, as we know her through our rites and ceremonies, oracles, dreams and aspirations, is the heart and soul of the ancient Egyptian civilisation. She stands forever upon the threshold between the two lands, union of the red lion and white eagle, the kingdom of earth and that of heaven, body and soul, mind and heart. Empirical evidence supports the ideal, echoed down the ages through countless instances of inspired writing and thought, that those who put in place the magical science and art of Khem were not human, but an elder race of which very few on earth may now bear the image. The continuity of existence was therefore known aeons before Einstein produced his theories for the assistance of man’s self-destruction. The surviving remnants of the Egyptian arts declare a doctrine that is both rational and non-rational. Long ages before the general law of relativity was known by science, the priesthood of Set understood that the geometry of space-time is non-Euclidian. It is not the phallus of Osiris that is the ‘lost word’, but the soul of Nature that is as yet unknown to those who dwell in darkness and ignorance. We call this Thelema, which is the living seed of creative power latent within the dwarf-soul or star of man.

While man sleeps, a myriad of forms arise to bewilder and enchant him. Yet these forms, each masking the formless reality of bornless space, may equally enslave man or illumine the path to enlightenment and ultimate liberation. We may suppose the motive for founding upon the earth an exact mirroring of the complexities of nature was inspired through love. The mirror of the black land of Egypt expresses truth through mathematics, astronomy, hieroglyphics, art, gods, magical rites and ceremonies. Those preeval seers, skrying across aeons of time, could doubtless foresee that the race of humans is predoomed to spread violence, warfare, contagion and disease across the entire planet. Out of love, they planted the seeds of the soul’s salvation deep within the hidden matrix of our existence. The Gnosis is in itself indestructible. While the colossus of Babylon-Hathoor was pulled down and broken into fragments by slaves of a mad king, her temple yet stands, inviolate until the end of time. And, as according to all ancient wisdom sources, the end is with the beginning.


© Oliver St. John 2018
This article is an abridgement. The fulll length essay, with annotations and citations, appears in the book, Babalon Unveiled! Thelemic Monographs.

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